Continued from the Some Disney People Of Interest article.
Vincent Price has been one of the major influential occultists who has provided the world with many occult horror books and scripts. He worked for Disney, and was the voice for Ratigan in ‘The Great Mouse Detective’. Vincent Price’s good friend John Hay Whitney is an Illuminati kingpin and vice-pres. of the Pilgrim Society and was raised into the Illuminati through the Yale Scroll & Key fraternity. His friend Whitney likes horror movies.
The Osmond Brothers. Merrill Osmond’s boys were “discovered” at Disneyland when they were visiting the site in 1962. The Disney people on Main St. just ‘happened’ to recognize the talent of the five boys and signed them up, for their first professional singing contract.
The Osmond Boys did some television appearances for Disneyland, such as ‘Meet Me at Disneyland’ and ‘Disneyland after Dark’. (Considering the mind-control programming done to these Osmond children, these TV shows were a cruel joke). Of the singing Osmond kids, Donny and Marie are the youngest and are programmed multiples, who are slaves and have been subjected to a lot of abuse.
MORMON ILLUMINATI FRONT
They have good front alters. Their father has made millions from drugs, porn and white slavery and is part of the Mormon Illuminati front. The Mormon front of the Illuminati has gotten a lot of good publicity off of the Osmonds. They sang for Andy Williams, whose french wife was once arraigned on murder charges. Later they sang for the satanic Network’s Lawrence Welk show. Swedish accented Lawrence Welk has been part of the Network.
Marie Osmond has grown up, and she has adopted 3 of her 5 children in spite of her busy singing schedule, which includes approx. 200 singing shows a year at places like Mafia controlled Atlantic City. In terms of occult families, adopted children are often programmed children, so this is a clue that her children have been programmed too.
DISNEY & ITS MOB CONNECTIONS
When this author spoke to the co-author’s deeper Illuminati alters about Disney, their reaction was that Disney had been described to them when they were in the Illuminati as “a crime syndicate within a syndicate”. They said that while in the Illuminati, they were aware that Disneyland had their own government, their own rules and their own police force.
What these Illuminati alters casually mentioned, was verified by this author the hard way through research. One Disneyland Security Supervisor said, “There is no Constitution at Disneyland. We have our own laws”. Once, when Walt Disney got miffed at a Hollywood policeman, Walt said, “I’ll have your badge”. If Disney guards decide to, they will get very rough physically with people, and assault them in any fashion they see fit.
The people they detain are often thrown into tiny cells at Disneyland where they are kept without benefit of a phone call, nor benefit of a toilet or water. The judicial system turns a blind eye to whatever Disney police do. Many people pay Disney to get their children out of a Disney cell and never get due process of any law. This type of treatment has gone on for decades and is almost a daily occurrence at Disneyland.
The Anaheim Police force is very chummy with the Disney private police force. Also at one point, the Burbank Chief of Police was the brother-in-law to Disney’s Chief of Security. Recently, when a couple filed a wrongful death suit against the Magic Kingdom of Disney in Florida, the state of Florida surprisingly has appeared to have backed off from their traditional behavior of protecting Disney’s sovereignty.
NERVOUSNESS WITH DISNEY’S RELATIVE AUTONOMY
An article on the suit said, “there is evidence of some nervousness with Disney’s relative autonomy”. An attorney in the case said, “Disney World’s security people aren’t just cops, they are bad ones. I don’t think there is any corporation that has ever had the perceived power that Disney has. Richard Foglesong, a professor of politics at Rollins College in Winter Park stated, “Because Disney World controls so much of its corporate and municipal universe, it can’t help but act in a heavy-handed manner in order to ferociously protect its self-interest. They have immunity from state and local land use law. They can build a nuclear plant, distribute alcohol. They have powers local communities don’t have”.
Do they abuse it? In my opinion, yes. In line with Disney’s previous dictatorial policies on their properties, Disney’s new city called Celebration will not have any elected government. Since the city is unincorporated (a neat Disney trick) the mayor is appointed by Disney. Several Disney ‘quasi-government’ bodies control citizens of the city. For instance, the Celebration Residential Owners Association, which participates in binding all residents to a Declaration of Covenants, a legal binder of rules that residents must live by.
Of course the Declaration of Covenants was written by Disney. These rules include such nit picky things as, no more than two people can sleep in the same bedroom, no pickup trucks can be parked in front of homes, and if Disney officials don’t like your cat or dog they can forcibly remove the animal from your home. Disney Corp. has perpetrated numerous deceptions on the residents, incl. shoddy work on their homes, and operating their ‘public’ school with Disney cronies.
Still, the residents that have moved into Celebration are glowing with praise for the town in spite of the fact that the city is totally run by Big Brother Disney Corporation. Of course those who don’t love it, soon leave. So much for the American tradition of self-government.
Traditionally, the mob crime bosses have had a yearly summit. In 1931, they held their secret annual conclave at Wappingers Falls, NY., which was attended by about 300 overlords and soldiers, the heads of the family clans, discussed their crime family agendas. They decided where the first national Mafia convention was to be held. Once the Mafia was able to hold their yearly private national meetings, they were able to coordinate their activities, as well as decide such things as:-
a. long range plans
b. the promotion of new bosses
c. decisions on turf & rank, commodities & cash
d. hashing out alliances or disputes with the Mishpucka, Triads, FBI, Illuminati, etc. and working with others in a concerted manner.
The mafia clans would follow through in their area of operations, until they would meet the next year, review their successes and failures, get new assignments and decide upon new short and long term goals.
In 1927, the Mishpucka worked with the Mafia to highjack a bootleg shipment of whiskey travelling from Ireland to Boston for the Kennedy Illuminati family. Most of Kennedy’s guards were killed in the shootout, and J.P. Kennedy had the widows of the guards besieging him for financial assistance. Billy Graham’s good friend, Mafia Chief Joseph Bonanno was one of the chiefs who attended the yearly conclaves.
He also met with J.F. Kennedy in the Winter of 1959. John Kennedy was known to have said that mobster Sam Giancana worked for his Kennedy family. The mob/Illuminati alliances and infighting are too complex to deal with in this book, but both groups had to put plans into action to deal with the repeal of Prohibition, which would end their lucrative bootlegging.
The short term plan for the Mafia was to control the film industry in Hollywood, and to penetrate the unions better. The long term plans called for sending their next few generations of children off to the top schools and getting them into legitimate respectable corporate positions. By learning the ins and outs of honest, legal operations, they could then mix in their illegal operations with their legal ones and look legal.
They planned to extend their power base into politics, the Harvard-Stanford business schools, as well as the finest corporate board rooms. They intended (and have succeeded) in getting some of their offspring to produce/direct T.V./films. They would have an increasing presence within the Bohemian Grove membership, as well as some of the other great social and business clubs. Their plan to take over the film industry hinged on their control over unions and theaters.
THEATRICAL STAGE EMPLOYEES UNION
The Chicago mob controlled the International Alliance of Theatrical Stage Employees Union. The mob controlled the projectionist’s union, and if the film makers had the theaters where their movies were shown shut down, what good would it be to make movies? The film makers and the mafia both had power & money. Rather than fight a protracted war, they made a deal. The major studios would give about $50,000 a year to the mafia, and the small ones $25,000, to be allowed to function.
Other agreements were also reached. Mob henchmen Willie Bioff and George E. Browne were mob lieutenants who orchestrated the mob’s ‘Hollywood takeover’. Time Magazine, Nov. 1, 1943, wrote, “In the witness chair in Manhattan’s Federal Court sat bland, wily Willie Bioff (pronounced Buy-off), blackmailer, panderer, labor leader, and now star witness against eight ex-pals, who are charged with shaking down $1 million from the movie industry. Question: Was it true that Bioff once had a five-year plan for taking over 20% of Hollywood’s profits and eventually 50% interest In the studios themselves?”
Bioff (wistfully): “If we’d lasted that long, we would have”. Question: “Did you ever say you were boss of Hollywood and could make producers do whatever you wanted?” Bioff: “Yes, and I could make them dance to my tune”. Although Bioff rolled over on his pals and ended up getting car bombed, that didn’t stop the mob/Mishpucka infiltration & control of Hollywood. Bioff had tried to save his public image by helping Walt Disney settle his labor dispute with the mob-led unions, but Walt wisely rejected his offer of help, and made sure he didn’t offend the Chicago mob leaders who were disgruntled with Bioff. Hundreds of millions of dollars were poured by the Mafia & Mishpucka into real estate in southern California, by using legitimate local businessmen to launder the money.
Hollywood was declared a ‘free zone’ where all the Mafia/Mishpucka families could operate without a fear of a turf war. Let us backtrack slightly to 1930. Columbia distributed Disney cartoons from 1930 until 1932, when Disney switched to United Artists, because Columbia wasn’t bothering to pay Disney the money they owed. In 1930, Henry Cohn, President of Columbia Pictures, got Disney off the financial hook with Powers by intimidating Powers with some street toughs carrying a legal suit.
Main Reference :- https://www.cia.gov/library/abbottabad-compound/
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