Disney – Change of Direction

Continued from the Later Disney article.

The Three Caballeros showed a sexually lecherous Donald Duck, who in bad taste tries to make it with Latin women. The mysticism was also seen as bogus. Although the Latin Americans hated the film, the establishment media’s Look magazine praised it. Another reason that Rockefeller sent Walt to South America was to get him out of the way so that the government could settle the strike by Disney workers.

Nelson Rockefeller was the government’s Coordinator of Inter-American Affairs, a good position considering how much of South America the Rockefeller’s controlled. Rockefeller told Disney that Disney couldn’t beat the strikers, but that while Walt was in South America, FDR would see to it that the strike got settled. When Disney returned he submitted to the powers that be, and accepted the unions and the mafia’s control.

Another change for Walt Disney was that in 1940, he and Roy turned Disney into a ‘public corporation’ and initially sold 755,000 shares of common stock. The Illuminati Boston firm of Kidder, Peabody & Co. were the underwriters of the studio’s public stock-offerings. By 1940, the Disney Studio at Burbank had become a miniature city with 1,000 men & women employees and 20 buildings on a 51 acre tract of land.

After the U.S. joined WWII, Disney Productions were made a part of the American military establishment. The very next day after Pearl Harbor, the military moved onto the Disney Studio, which leads this author to suspect that Disney was already part of the power establishment prior to the war breaking out. Disney made military movies/cartoons that taught the different branches of the military many things.

ALLIES PROPAGANDA MOVIES

They made propaganda movies for the allies. One series of films was ‘Why We Fight’, Disney made movies for the IRS to get people to pay their taxes. Some of the Disney films were top secret, and concerned secret military weapons or secret psychological tactics of the Americans. For instance, one military film was ‘Army Psycho Therapy’, which taught army men how to instill fear and about the basics of fear. Another army film was ‘Prostitution & the War’. Another showed a carrier pigeon evading the Germans.

In 1940, Disney came out with two full length animated cartoons, Pinocchio and Fantasia, both of which were soon used for Illuminati mind-control programming. Fantasia contains Schubert’s sacred Catholic music ‘Ave Maria’, which was used in a concluding segment, side to side with the profane ‘Night on Bald Mountain’ song, as well as six other classical pieces of orchestra music.

As a feature cartoon it was a flop, but as a programming tool it was fantastic. Fantasia receives a comprehensive explanation of how it is used for mind-control programming, with its’ own separate article, Disney Trauma-Based Mind-Control Slave Script, because an explanation of the use of a Disney film for mind-control is quite complex. The Pinocchio film has been redone and released nine times over the years.

Some of the next full length animated films to come out were: The Three Caballeros (1945) The Adventures of Ichabod & Mr. Toad (1949) Cinderella (1950) Treasure Island (1950) Alice In Wonderland (1951) The Story of Robin Hood & His Merrie Men (1952) Peter Pan (1953) 20,000 Leagues Under the Sea (1954) Sleeping Beauty (1959) Very soon after the production of all of these movies, the Illuminati and their intelligence agencies used them for Illuminati total mind-control programming.

MISUSE AS PROGRAMMING SCRIPTS

To see their misuse as programming scripts one has to understand how the fantasy worlds of a programmed multiple are created and how the movie scripts are adapted to be programming scripts. When Disney had his animal-nature documentaries, he edited and used narration to give the animals human like characteristics, something he’d already been doing with animation.

Disney played an important part in the Illuminati’s plan to elevate animals and dehumanize humans. One of the biggest Illuminati kingpins, and leader (Grand Master) of the Prieure de Sion (PdS) was frenchman Claude Debussy (b1862). Debussy, a Merovingian, was Nautonnier (Navigator-helmsman) of the PdS from 1885-1918.

In 1891, when some secret coded parchments (Merovingian documents) were found by a french clergyman Sauniere, he was directed by church officials to visit with Emile Hoffet, an occult acquaintance of Debussy. Debussy was close friends with many of the top french occultists of his time. He is known to have been a close friend to both the notorious satanists Jules Bois and MacGregor Mathers. Mathers started the Order of the Golden Dawn.

Debussy was also a friend of the infamous Papus (aka Dr. Gerard Encausse) and W.B. Yeats. Papus was one of the men who during his lifetime was part of the interlocking occult directorate of occult groups. Claude Debussy put some works of the previous PdS Grand Master Victor Hugo to music. Debussy and his other powerful occult friends were influential with Monsieur Philippe, whose Russian occult circle influenced the Russian Czars and Czarinas before Rasputin came around.

DEBUSSY’S CLAIR DE LANE

Some of Debussy’s works became operas. Interestingly, Walt Disney was extremely anxious to make a cartoon using Debussy’s Clair de Lane. The work was done, but it was never shown to the public. Disney never found a place to use it. It was originally done with animation with flying cranes for the occult extravaganza Fantasia, but when Fantasia ended up too long, Clair de Lane was cut and shelved.

It was again planned for the film ‘Make Mine Music’, but then ‘Blue Bayou’ was substituted in. Walt used the ‘Le Sacre du Printemps’ (the Rite of Spring) music for Fantasia. This piece of music was written as a pagan ritual where a virgin sacrifices herself by dancing to death. Disney’s mobster Gunther Lessing had threatened Stravinsky if permission weren’t given for Disney to use the piece of music, it would be used anyway.

Dr. Julian Huxley got involved in the production of Fantasia. Aldous and Julian Huxley are well known by conspiracy researchers for their roles in the World Order. In the 1940’s and 1950’s, the Illuminati began using Disney’s Alice In Wonderland and the Wizard of Oz films as programming bases for their total mind-controlled slaves. Alice in Wonderland had been done many years earlier by the Britisher William Cameron Menzies, who also did Freemason H.G. Wells’ masonic forecast of the New World Order entitled “Things to Come” in 1936, and the film ‘Invaders From Mars’.

In 1944, Illuminati Kingpin William Randolph Hearst (with some minor help from others) funded the Motion Picture Alliance, and Walt Disney became a co-founder and its first Vice-President. In the early 1950’s, Walt turned his attention from animated cartoons to other projects, such as True-Life-Adventures, television shows, and the creation of Disneyland. Seal Island was his first true life adventure which was released to the general public on May 4, 1949 and soon won Walt Disney an Oscar.

RETLAW CORPORATION

In 1952, Walter spelled his named backwards to create the name of another corporation, ‘Retlaw’. Roy O and his family saw the move as an attempt to cut them out of the financial picture. In 1954, Walt Disney and ABC made a agreement. ABC would directly invest half a million US dollars as well as guarantee $4.5 million in loans for the construction of Disneyland.

This made ABC 1/3 owner of Disneyland. In return, Walt Disney agreed to produce a regular television series for ABC. Remember too that ABC’s president Leonard Goldenstein was a good friend of Ronald Reagan. On July 13, 1955, Walt and Lillian were attempting to celebrate their 30th wedding anniversary at a park and restaurant. Walt got too drunk to speak into the microphone, so he blew noisemakers into it, while Lillian rushed to pull him out of view.

In 1961, Disney bought out the ABC investment (also labelled Paramount) for $7.5 million with cash and notes, and later on July 31, 1995, Disney merged with Capital Cities/ABC, with Disney in nominal control. Actually Capital Cities has long been a CIA front company, so the merger placed Disney squarely within the CIA ranks, although it had been in bed with them for the CIA’s entire history.

The Illuminati-controlled corporations of Coca-Cola and the drug firm Johnson and Johnson became sponsors for Disney’s early TV shows. On 7/3/57, the Wall St. Journal announced that Atlas Corp. got 26% interest in Walt Disney Productions. Walt Disney worked quietly with some consultants on the concepts behind Disneyland. His brother and nephew tried to prevent the project from happening. Later they requested that Walt sign over Disneyland, Inc. to Walt Disney Productions, which Walt did.

WALT DISNEY PRODUCTIONS

Walt kept 17.25 % of Disneyland holdings and Walt Disney Productions got the rest. Walt Disney Productions then shared their portion with others. The man who helped Walt finance Disneyland was the executive vice-pres. of ABC Kintner. Walt Disney got the Illuminati’s Stanford Research Institute to determine what would be the best site for Disneyland. A retired Navy admiral Joe Fowler was in charge of constructing both Disneyland and Walt Disney World.

How do admirals fit into the power structure? Admirals are briefed each day, and are given information concerning the secret power structure. Most men who are at that military level are Illuminati or at least well controlled by the system. Within the last few years there has been an intense effort to weed out any admirals who are not loyal to the Illuminati.

Morgan-Evans, who lives in Malibu, and who may be of the famous Morgan clan, was the one who created the spectacular landscapes for Disneyland, Walt Disney World, and EPCOT in FL. According to CIA informants opposed to the NWO, CIA contractors were brought in to build the underground tunnels under Disneyworld in 1977. These contractors were sworn to secrecy, but were only informed on a need to know basis why the CIA was involved with an amusement park.

To work on the secret tunnel project took an ‘Above Top Secret’ clearance. A major programming center was constructed under Lake Holden. The tunnel system was built for programming trauma-based total mind-controlled slaves. It was built of concrete with steel reinforcement. Lake Holden lies just to the northwest side of the Orlando International Airport and just south of Interstate 4.

DISNEYWORLD PROGRAMMING TUNNELS

It is only about 12 miles from Disneyworld. In spite of Draconian measures of secrecy, numerous lawsuits (Fed. & State) were filed over the years by victims trying to expose the Disneyworld programming tunnels, so that finally the programming center was dismantled, cleaned up and a ‘maintenance’ tunnel level and a ‘casting’ tunnel level were opened to the public.

During its heyday, the programmers (military & intelligence men) had exotic offices underground with unusual programming equipment. It doesn’t take any imagination to realize that if Disney carried mind-control programming above and below ground, that they would need tight security forces to protect their secrets. Indeed, such is the case. Disney amusement parks have been granted draconian powers wherever they have been built!

The Disney parks have also employed armies of spies dressed like tourists to spy on Disney’s employees! If amusement park workers did anything slightly out of place, they were (and still are) reported by the spies in the camp, and they often have lost their jobs. For instance, one ex-worker, who had 10 years with Disney, was caught discussing his divorce with another worker. Since divorce doesn’t fit the wholesome image that Disney wants, he lost his job.

Many workers have tried to tell their personal horror stories of Disney’s draconian rules and their draconian private police force, but most of the time Disney has had the power to suppress and intimidate away any bad publicity. An exception to that is the Napa Valley Register article entitled, ‘Critics of Disneyland Say Security Abusive Inside Magic Kingdom’. UCLA law professor David Sklansky commented about Disney’s police, “One of the major problems we have is nobody really knows what they are doing- how often they stop, interrogate or search people”.

Main Reference :- https://www.cia.gov/library/abbottabad-compound/
FC/FC2F5371043C48FDD95AEDE7B8A49624_Springmeier.-.Bloodlines.of.the.Illuminati.R.pdf

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